![]() As she hangs suspended, Candy tells her that she just wants to be normal and marches away to catch the bus. As they quarrel, red beams of light suddenly streak from Candy's eyes and levitate her mother into the air. Both warn her against reopening the camp as they believe it to be cursed with death, but Bambi is undeterred.Īt a bus station, a young woman named Candy (labeled Victim #1) prepares to board a bus to the cheerleading camp but her religious fanatic mother tries to dissuade her. ![]() After arriving on campus, she meets Pepe the maintenance man and his mother Salt. In 1982, the camp reopens with Bambi as the instructor. As a result, the college's summer cheerleading camp is closed down. The bizarre murder makes headlines, as does a subsequent murder involving exploding pompons. As a group of cheerleaders are cleaning up the field after the game, all five are skewered with a javelin thrown by an unknown assailant. Afterwards, a shunned cheerleader named Bambi is seen fawning over Grange's locker before the on-field celebration pours into the locker room. In the fictional town of It Had To Be, Indiana, fullback Blue Grange scores the winning touchdown for It Had To Be University in the 1963 National Championship game. ![]() The film was the last feature in which Eve Arden appeared and also the last feature film Sole directed in his career. The film went into production under the working title of Thursday the 12th. Tom Smothers, Eileen Brennan, Phil Hartman, Tab Hunter, Carol Kane, David Lander, Eve Arden, and Paul Reubens. It was directed by Alfred Sole and features an ensemble cast including But most importantly, as a character with authentic mental illness, you understand him.Pandemonium is a 1982 American parody slasher film. But Fassbender, stripped of facial expressions (unless he dictates them from beneath his headgear) and kept to a minimal amount of dialogue, uses body language and hand gestures to deliver a complex, nuanced character. Jon Ronson and Peter Straughn’s script is clever, and Lenny Abrahamson’s direction is lithe and appropriately pithy. Gleeson is great as the “straight man,” the audience’s surrogate, asking things like “how does he eat?” As the only seemingly sane character, he does a magnificent job showing there’s no difference in the humanity of the “well” and “unwell.” Gyllenhaal is luminous and powerful as Clara, a tempestuous thundercloud shaped as a rocker grrl.īut this is Fassbender’s show. Things begin to fall apart, as the movie pivots from an exploration of the artistic process to a symposium on the use of art as therapy. But when you have a head as big as Frank’s, you don’t have the luxury of having any more success or anxiety crammed in there. Jon tweets and blogs the whole experience, which gets the band invited to South by Southwest. Then they stay there for nearly a year, recording an album that makes Arcade Fire sound like Katy Perry. ![]() The band semi-abducts him to a cabin so creepy and secluded, Jason Voorhees Realty must have rented it out. Only to discover he should have asked questions. When they offer him another chance to join them, he does, no questions asked. Jon is enamored with this charismatic lead singer with the giant fake head. They ask him to pay in their gig that night, which he does for all of two minutes before the temperamental Clara (Maggie Gyllenhaal) goes full Johnny Rotten and starts knocking over equipment, ending the show. As luck would have it, Jon stumbles upon a band that has just lost their keyboard player to a mental institution. He tries to draw from the world around him, but it turns out “Girl in blue, do you know the girl in red” is not an anthem-inspiring question. The movie is called Frank, but we start with Jon (Domhnall Gleeson), who is very bad at writing songs. In fact, it’s surprisingly sincere and legitimately sweet for a film that centers on music as an outlet for the mentally unwell. Welcome to Frank, a movie that is somehow nowhere near as pandemonium-inducingly insane as it sounds. So the whole time, Michael Fassbender wears this giant, papier-mache-style head and mumble-sings gibberish lyrics about things like snags in the carpet while other people play instruments they created out of things like toothbrushes. ![]()
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